英文读书心得

英文读书心得。

英文读书心得 篇1

阿甘正传

Starring: Tom Hanks, Robin Wright, Gary Sinise, Sally Field This was flat out one of the best movies of 1994. It won best picture for a reason, along with a few other Academy Awards. I think one of the tag lines for the movie was, "The world will never be the same once you've seen it through the eyes of Forrest Gump." How true. The movie is basically one si-mp-le man's journey through life. And what a journey.

The movie opens with Forrest (Hanks) sitting at a bus stop, waiting to go see Jenny (Wright) after being apart from her for years. Who is Jenny, you ask? We'll get to that in a minute. Forrest strikes up a conversation or two with the people that come and wait for the bus with him. Or, more accurately, he keeps talking regardleof whether anybody is listening or not. The movie plays out as a flashback, with Forrest taking us through all the major events of his life and narrating them.

The flashback starts when Forrest is a little boy, about six years old or so, just at about the age where he should be starting school. We get to take a look at Forrest's childhood as he gets leg braces to straighten out his back, as his momma (Field) fights (and does a few other things) to get him into public school, and as he meets for the first time the love of his life. Jenny. He meets her on the way to school, sitting next to her on the bus, and they strike up a friendship immediately.

Eventually we progreto the point where Forrest and Jenny are in high school, and we travel along with Forrest as he makes it onto the football team and gets to go to college. Forrest and Jenny never date, but he's always there to protect her. Anytime he thinks she's in trouble, he rushes to the rescue, ready to beat the ever-loving snot out of anyone who even looks at his Jenny wrong. I think one of my favorite scenes in the movie is when someone is dumb enough to slap Jenny. The film goes slow motion, Forrest's eyes go wide, and he starts charging at this guy like a runaway locomotive, and has the striking force of one too. Watching him beat the crap out of that guy is hilarious.

As Forrest grows up and goes through school, college, the army, a Vietnam tour, becomes a ping pong celebrity, a shrimp boat captain, and eventually one of the richest men out there, he also gets to take a few stops in history as the filmmaker gives us his own spin of how he thinks history would have happened if Forrest Gump were there. He gets to meet the President three times, he's the man who exposes the Watergate scandal, he's at the school doors when Governor George Wallace tries to get some Negroes into a white school, and so on and so forth. It's really funny the way they manipulate historical footage to insert Forrest into the events of the past.

This is truly a great movie. You'd be a fool to miit。

英文读书心得 篇2

这是一本命中注定的育儿书，由一群母亲推荐。

其实一直以来对教育孩子会有一些疑惑或者方**的选择，不过一直苦于找不到一种自己和孩子都容易接受而且容易坚持的方法。

这本书真的为我打开了一扇门。其实，书中介绍的方法很简单，但我花了一天的时间仔细阅读后，我感到了一后见面的冲动。

做这些事情并不难。我为什么不这么做？有时我觉得在家里找不到和孩子做的事。我为什么不试着给她讲英语故事书呢？总以为孩子还小，会以她的自由发展为借口掩饰自己的懒惰或无知。

不可否认，在我自己的学期里，英语是一个让我头疼的问题。

学了十几年的英语也没有在听说读写上有多大实质性的进步。

看美剧没有字幕是完全无法看懂的，其实这真是多年来我们都把语言学偏了。

语言的最终目的是交际，因此听力无疑是其最基本的用途。

想想我们当年是怎么学英语的？词汇、语法、看答案、填空这些东西都远远不是最基本的语言运用。

孩子不知道一个大字是不识一样能说能听呢？为什么？就是听得多呗。

大家都明白的道理，但是用在学英语上好像就把这个自然法则忘记了。

其实我们是不是应该抱有平常心，英语和中文一样就是一门交流的工具而已啊，何必把它看得那么重？何必要觉得英语有任何的优越感？父母首先应该用中庸的立场来看待学***这件事，通常孩子的态度就不会偏离正道太远。

《龙应台的香港笔记@沙湾径25号》里的一段话深得我心英语，当然非常重要，因为对于非英语人而言，它就是一个简便的万用插头，放在旅行箱里，到任何一个城市都可以拿出来，插上电。

但是，我们不能认为电插头是通用插头。

事实上，插头不起作用，英语也不能提供创意和创造力。

如果求学年代有人早告诉我这个道理，我的英语不至于学得如此吃力。

为了通过大学英语四级考试，我觉得我付出了很大的努力。从那以后，我对英语没有兴趣，当我看到英语时，我会本能地逃避。

言归正传，对于我们每个普通家庭来说怎样的教育引导方式才能让孩子学好英语，爱上英语呢？可能你会在日常和孩子进行一些简单的英文对话，可能你会送孩子去培训机构，可能你会给孩子请外教……但是这些时间、空间、金钱、内容的局限性往往并不能达到你想要的效果，结果往往是不了了之。

说真的，有什么比给孩子们读英语故事书更有效？故事书首先有吸引性，而且种类繁多，里面的字词可能是你在日常交流中永远都用不到的，但是放在故事里就很容易被接受。

孩子们喜欢听故事，不管是英语还是汉语。

别担心孩子们的理解力，这远远超出了我们的想象。

问题来了，怎样读英文故事书的方法才是好方法呢？

作者写出了她的一些实践经验。

第一，选书分阶段，总原则由简单过渡到难。

其次，你可以先读一个英语句子，然后读一个汉语句子来讲故事。

在讲到3~4遍以后视自己孩子情况而定，可能会更多遍孩子完全明白了故事书的内容，以后就用全英文读了。

第三，读英文故事书前家长一定要先做好功课，将意思用口语的方式翻译出来。

难的单词也要自己拼读熟练后再给孩子讲。

第四，孩子们熟悉了故事书后，可以用原来的英语磁带给孩子们听，这样可以弥补家长发音的不足。

好的英文故事书绝不是死板板的课本或文法书可比拟的。

这些是一些基本的方法。当然，最重要的是要坚持。不要把读英语故事书当作折磨。你觉得不舒服，你孩子的感觉也不会很好。

给孩子们读故事书是维持孩子们和书之间关系的最简单的方法。它也是帮助孩子建立终身阅读兴趣的最直接和最有影响力的基础。

另外作者也对现在琳琅满目的教辅机构做出了自己的看法，和我也是不谋而合。

那些看似短期的教育真的对孩子有好处吗？孩子的成果仅仅是为了表现给大人看吗？归根结底，影响竞争力的因素有很多，包括人格修养、独立思考、幽默风趣、智力素质、处事态度等，这些都是不可估量的。

所以不要把语言能力当成唯一的能力。这是父母应该有的态度。

所以在讲英语故事的过程中，我们应该有一个观念，不去测试孩子们的测试程度；不去怀疑孩子们学到了什么；不去问孩子们是否理解这些问题。

作为一个母亲，作为一个家庭教育者，你可以很好地履行母亲的职责，和孩子们一起享受读书的时光。

其它技能和方法将留待以后的学校和教师掌握。

培养孩子的英文耳朵读后感二

导语汪培珽用自身的经历告诉广大幼儿父母真正完美的亲子英语教育，需要的其实是你们父母的努力。

只要持续地念英文故事书给孩子听，就能让孩子听英文像听中文一样轻松，并循序渐进养成说、读、写的稳定实力！

酷热的夏天，你的女儿冲你来了一句。

?学了三十多年英文的你肯定会被雷到！热就热啦！哪怕你通过专外八级，哪怕你是博士？你可能最多用来形容，压根没有想到还有别的字可以用。

用这样的自序开头，同样雷到了我！说实话，在启蒙幼儿英文方面，我最怕的不是语音标准不标准，而是能不能这样用地道的英语说话。

于是，我在产生共鸣的同时，也更有愿望继续往下看。

《培养孩子的英文耳朵》是汪培珽继《喂故事书长大的孩子》后的第二本育儿经。

第一本我没看，因为在当今信息**时代，育儿书籍比比皆是，不存在错过哪本就会耽误孩子教育的问题，而竖着排版的书会浪费我的很多时间，所以我没耐心去看。

不过看完《培养孩子的英文耳朵》，我还是感触良多。

书上基本上回答了在应试模式下学***的父母们对启蒙孩子英语的困惑。

书的最后还专门列出了重要的&，阐述作者的主张和看法。

这里只挑几条我个人觉得比较欣赏的几段吧！

一、怎样为孩子念英文书？

父母为孩子念英文书的顾虑很多，比如发音不标准，比如孩子能不能听懂？比如是一句中文，一句英文的翻译，还是需要加上很多中文解释帮助孩子理解？念之前要做哪些准备工作这些在文中都可以找到作者的观点和建议。

更为重要的是，作者提醒大家教育孩子先不要只想着如何和别人一样，而是要先帮孩子立定对的方向。

至于目标何时达到，可能只是早一点活晚一点的问题。

二、孩子听的是故事而不是英文

英文耳朵是目标，可是促成目标的动机和兴趣，却与英文一点关系都没有。

真正引发孩子听英文故事书的动机和兴趣--是故事，而不是英文。

作者列举了好几个小故事告诉我们，很多时候，孩子们的故事，结局是什么一点也不重要，重要的是在这中间的人生智慧。

比如幸运棒没有用，幸运帽也没有用，只有努力才有用。

孩子有没有学到英文不要紧，只要将这句话听进心坎里，一生受用。

三、听、说、读、写，请按照顺序

一听二说三读四写，是人类学母语的次序，也是语言学***然法则。

让孩子快速识字、读字，甚至写字，可以抚慰一些担心孩子未来竞争力的父母，也是教育机构向父母展现成果的最有利证据。

但是，循序渐进才是教养的正确方向，也是帮助孩子保持学***的最自然方法。

虽然，帮孩子念英文故事书，让孩子听英文故事，一时之间、甚至是两三年内，都可能看不到具体成果，然而听是语言学***重要的基础器，孩子还没走稳就想着要他跑，有时是累了父母、苦了孩子，得不偿失。

四、作者的私房书单

为什么书单上前几个阶段的书，名家绘本的比例不大，反倒是设计给国外小学生的读本较多？这是因为作者买书后，慢慢摸索出来的自然结果。

由于这些读本是按照孩子的程度来规划、排序，无论内容与用字的难易度，都是循序渐进的，这对于想要利用念故事书让孩子学英文的父母来说，是最有安全感的选择。

而童书绘本则不同，用词遣句的难易度常是高高低低、跳上跳下，很难掌控。

书单上的书都是英文原版，比如《》这个系列，我在亚马逊、**网上都能搜索得到，于是特别记下，考虑是不是以后也买上几本回来看看。

五、为什么要学英文？

英文是国际语言，学它就是要用来当沟通工具，那要和什么沟通呢？

1人所以我们要会听、会说的能力

2书本，也就是资讯所以我们要能读能写的能力

我们第一代的英文教育第一项是失败的，第二项呢？成功了吗？英文考高分的同学，后来有多少人会主动去看英文书？

就好像这么多学琴的孩子，最后又多少人会继续将弹琴当成一辈子的兴趣？难道我们的后代学英文的目的还是为了应付考试？

总的来说，即使你不赞同这本书上的育儿观点和作者关于幼儿学英语的经验总结，至少作者列出了一大堆英语原版书单，而这些都是值得收藏的。

【】所出的系列读本。

这样的标题会出现在每本书的封面上方。

它其实是国外设计给不同年龄孩子的读本，依照程度分成不同阶段。

在此只列出我喜欢而且曾经反复帮孩子念过的收藏，故事本本精采，不容错过。

有些很适合有基本英文听力的小学生，甚至中学生，因为故事有趣，主题多样化，够吸引孩子，有附录音带的版本更是让孩子***英文的好帮手。

附作者的私房菜单

第一阶段0－2岁

书标头1，32-64页，每页1-3句话，每句话平均6、7个字。

1,*分享、友情

2*冒险、友情!

3*团体生活、幽默

4关怀、友情

5交朋友

6友情、幽默

7勇于改变、爱

8努力、冒险、环保

9追求理想不气馁

10’炫耀心态、友谊

11追求

12*冒险、追求理想

出版社所出的系列读本，24页，浅显易懂。

虽然书后附有可裁剪的生字卡，但未实际用过，祇念着好玩而已。

1’关怀、爱、手足之情

2’冒险旅程，知名作家的作品

3爱、幽默

4幽默5友情、关怀

6再试一次的勇气

7关怀8欢乐气氛

9认识营养的食物

第二阶段2岁

书标头1、2，48-64页。

1家、关怀、追求理想

2螳螂捕蝉黄雀在后的幽默

3分享、幽默、追求理想

4爱、关怀、做大事

5*梦想成真

6*可爱的怪兽、机智、关怀

以下四本，主人翁是一只小小熊的家庭温馨系列故事78*

9’10’

11自信

12有情、分享、幽默

13无厘头式的幽默

14冒险、想象、自信

15*独立、自信、工作

各名家绘本

1认真、助人

2爱和死亡

3奇幻探险

4,祖孙亲情

5’,对抗恶势力、勇气

6*温馨

7知足、幽默

8手足之情

9手足之情

10!环境保护、分享

11分享、数字概念

12友谊、冒险

作者，一个小男孩和一只大狗的系列故事，幽默小品，浅显易懂。

只列出我有的收藏，购自美国，台湾书目可能较不齐全。12

34546’78

第三阶段3岁

书标头2，作者，最爱绘本作家之一，其书必买，传家之宝。

附录音带版本，强烈推荐给有基本英文听力的小学生阅读和反复听取。12

3456

789书标头2、3

1*勇气、百折不挠

2珍惜、努力、阅读之美

3侦探故事

4侦探故事

5*有志者事竟成

6*想象力、怀念

各名家绘本2

1*友谊、爱心

2&祖孙情

3庞贝城的历史由来

4勇气、冒险、助人

5数字概念

6关怀与爱

作者绘者，称其书为小孩版的心灵鸡汤，幽默首选，其书必买。

也强烈推荐给有基本英文阅读能力的小学生。

每一本分成三个小故事，浅显易懂。

潜藏于其中的深深幽默感，是值得一辈子的收藏。12

3456

78910

1112

关于哥哥和妹妹所发生的系列故事，手足、亲情、友情、成长、关怀的幽默温馨故事。

每一本分成五个独立的小故事。

115岁23

4567

8,910,30*

关于一只小乌龟的系列作品，每本有一个主题，深赋教育意义。

但是，14-20的主题，可能较适合认知能力较好的四岁阶段。

购自美国，台湾书目可能较不齐全。

1怕黑2生病住院的经验

3勇气4,守时

5守信6’心爱的宝贝

7第一次上学

8’照顾新同学

9整洁10礼让

11’情绪处理

12手足之情

13吹牛

14到朋友家过夜

15’分享

16’万圣节的惊喜

17’珍惜

18’舞台表演

这是关于一只黄色小猴子的淘气冒险故事。

第一本书出版至今已经有60多年，还是历久不衰，可见其魅力。

画风简易但深具幽默感，不只孩子喜欢，连大人的心也可能被其掳获。

同系列还有其他，请自行参考。

此系列虽已开始跳脱小孩的简单句型，但程度不难，如果孩子已经小学中、高年级，有基本英文听力，想要激发他们听英文故事的兴趣，可从此系列开始，而且都附有录音带可反复听取。12

3456

第四阶段4岁

书标头2、3

1-幽默、祖孙情

2’幽默、友情、关怀

3*谁在装鬼的侦探故事

4*坦诚、不欺瞒

以下两本为鬼故事，但是幽默有趣。

请考虑孩子的接受程度，儿子五岁听时完全不怕，但小一女儿晚上是不肯听的。

是有一个人头在地上的画面哦！56

7*冒险、勇气、毅力

8*争取自由、保护家园

9*希望、关怀、感恩

10*吵吵闹闹还是好朋友

11*逆境中的乐观

12*平等、关怀、追求自由的勇气

13*移民的希望之旅

14*万里寻父的勇气之旅，真实故事改编

15男女生的友谊、幽默

16*天真幽默的侦探故事

17,,团队合作

18勇气、荣耀，真实故事改编

19孩子解决问题的心路历程

20’领养议题、亲情

2118逆境中的关怀，真实故事改编

22’有时，讥笑是最好的称赞

23幽默、友谊

24勇气、慷慨

25信任，真实故事改编

26印地安人的历史故事

27’28岁侦探故事

书标头2，作者。

「哥哥总是比妹妹强、比妹妹勇敢、比妹妹懂算数、比妹妹会认字…」这是一只自以为是的猩猩哥哥和妹妹所发展出来的一系列幽默温馨故事。

1’2’

3’4’

5’-6’

7’8’

9’#7

第五阶段5岁以后

知名作家

1,幽默

2,’幽默

3,,,幽默

知名作家

1*毅力

2*念旧

3*公民的投票权

4*努力认真工作

知名作家

1冒险2分享

3分享4’机智

5知足常乐

6分享7幻想

8’幻想

知名作家

1,*关怀

288*关怀

3*勇气、面对嘲笑

4*离别、友情

知名作家

1*幽默|

2幽默3幽默

知名作家

1幽默、守规矩

2宽容知名作家

1*同理心

2*45岁关怀、慈悲、冒险

3*知足、面对挫折

知名作家

13岁慈悲、勇气、机智

2*慈悲、勇气

3冒险之旅

4关怀5使命达成

各名家绘本

135岁幽默

1*经典童话

2*想象之旅

3*幽默

4*经典童话

5*文化的融合

6’é*勇气中的幽默感

7’手足排行中的压力吶喊、大幽默

8对芭蕾舞的兴趣和坚持

9,,幽默

10幻想，空中下起食物雨

11亲情、无悔的爱

12妈妈的爱永远用不完

英文读书心得 篇3

德尔福英文笔试题目分享：

1,What is metal clading?

2,Briefly describe what is blanking(cutting),forming,coining and embossing in stamping process.

3,What is the purpose of adding glass fiber to thermoplastic material?

4,In contrast with metal and thermoplastic material,which has a higher coefficient of thermal expansion(CTE).

5,The most suitable material for a integral hinge design(typical plastic thickness=0.25 to 0.5mm at hinge)

6,Can a bending load makes bothpressive and tensile stress in a member?

7,What is the design criteria used in plastics catch/snap?

8,What is FEA?

9,What is the deflection equation of a cantilever beam fixed at one edge?

10,Why is natural frequency important in vibration analysis?

英文读书心得 篇4

through the first person narrator, edgar allan poe's "the tell-tale heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. the manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. the narrator takes care of an old man with whom the relationship is unclear, although the narrator's ***ment of "for his gold i had no desire" lends itself to the fact that the old man may be a family member whose death would mo***arily benefit the narrator.

moreover, the narrator also intimates a caring relationship when he says, "i loved the old man. he had never wronged me. he had never given me insult".

the narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.

the fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. the narrator confesses the sole reason for killing the old man is his eye: "whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - i made up my mind to rid myself of the eye for ever".

the narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. the fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. in his mind, he rationalizes murder with his own unreasonable fear of the eye.

the narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "evil eye". although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine ***passion for the old man. the narrator shows his contrariety when he confesses he loves the old man, but he is still too overwhelmed by the pale blue eye to restrain himself from the all-consuming desire to eliminate the eye.

his struggle is evident as he waits to kill the old man in his sleep so that he won't ha一ve to face the old man when he kills him; but on the other hand, the narrator can't justify the killing unless the vulture eye was open. the narrator is finally able to kill the man because "i saw it with perfect distinctness - all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but i could see nothing else of the old man's face or person: for i had directed the ray as if by instinct, precisely upon the damned spot".

the mission of the narrator begins with meticulous planning and confidence, but ultimately his guilty conscience creates his downfall. for seven days, the narrator watches the old man while he sleeps and he even "chuckled at the idea" that the old man knows nothing of the narrator's "secret deeds or thoughts". the narrator's ***ments show his confidence and audacity, even pride, in his plan to kill:

"never before that night had i felt the extent of my own powers - of my sagacity. i could scarcely contain my feelings of triumph". the narrator's assurance in his evil deed continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before:

"i **iled,-for what had i to fear? i bade the gentlemen wel***e". however, the narrator's mind is quickly consumed with guilt, which creates his delusion of hearing the old man's heartbeat taunting him from under the flooring.

his paranoia makes the heart beat "louder - louder - louder!" and in his state of delirium he confesses to killing the old man in hopes of ridding his life of the menacing heartbeat: "i felt that i must scream or die!

- and now.

the narrator sets out to rid his life of the fear he created by obsessing over the man's eye, but once that fear is destroyed, another fear - that of the heartbeat - is created and be***es more overwhelming than the first. in playing mind games with himself - seeing how far he can push himself to triumph over his own insanity - the narrator slips further into a fantasy world. his overriding confidence in killing the man ultimately turns into overriding guilt even as he justifies in his mind the sa一vage killing, chopping up the body and placing it under the floorboards.

the narrator's imagination creates his need and plan to destroy the eye, but it then creates the need to sa一ve himself from the heartbeat that drives him over the edge.

泄密的心简介：

**开始为读者呈现了一个沉醉于自我的内心世界而无法自拔的恶人，他满足于自己的想象，将**的过程一遍又一遍地推导，将细节品味了一次又一次，被心理**的一面所说服。他激动的心情迫不及待地想全是界宣布他的伟大计划。整部电影都是主人公自己的世界。他喃喃自语，自导自演，其他一切都是他的话。被杀的老人拥有一双秃鹫般犀利的双眼，仿佛看透了他一般，因此他恨那双眼睛，也恐惧那双眼睛发出的目光，他觉得只有消灭它才可以让自己安心。

他在屋里挣扎了七天，七次潜入老人的房间，直到第八次付诸实践。而正是这双眼睛让他内心有了诉说的欲望，当他将老人毁尸灭迹之后，他仿佛还听到了老人的心跳声，这让他的内心狂躁不安，催促着他告知世人他所做的一切，最终他向警察“泄密”了。

英文读书心得 篇5

（一）

This article reflects the different kinds of people compete with such a beautiful garden and ancient houses and other property, five days before the murder of the whole process of analysis and detection.Each family member because the interests of the different requirements to receive his mother's property.Finally, in his mother's birthday that night poisoning her.Who did it?Each family member who hate her mother, and everyone has a reason.So, everyone hate her, she also hate everyone.There is no love the family, affection, only money.

本文反映了不同的人与这样一个美丽的花园和古老的房屋等财产，五天前谋杀的整个过程的分析和检测。每个家庭成员都因为不同的利益需求接受他母亲的财产。最后，在他母亲生日那天晚上她中毒。这是谁干的？每个家庭成员谁恨她的母亲，每个人都有一个原因。因此，每个人都讨厌她，她也很讨厌每个人。没有爱的家庭，感情，只有钱。

（二）

Ren Shijian, in real life there really love you ? Chan He does not love impurities there? ? I was certainly convinced that, I believe the existence of true love, now the letter, but I think such a thing likely too small, you probably will not happen in my possession, but I still believe that it is there! No, we should firmly believe that! Maybe I said it's a bit whimsical, let us return to reality, you say the experience is like the shadow of many people sad, of course, the existence of love, but in the present time, everything is all so true , Then the explicit, really do not want to mention that all "money", however, it is like ghost, you are all about! Of course, including emotions, the love you! Everyone has the impulse to the pursuit of love, starting the moment everything is so beautiful, so people Xinzui, so no worries, no worry! When we go on the way in reality, the "ghost" there, so it took us silently to the impulse, our enthusiasm, our endurance, let us think of a better finish increasingly blurred, so What about ? Taking notice of us! In fact, each person's happiness, can be grasped in its own.

人世间，现实生活中还有真的爱情吗？没有搀和杂质的爱还存在吗？我以前肯定坚信的，相信真爱的存在，现在也信，只是我觉得这样的事情几率太小了，也许不会发生在你我的身上，但是我仍然相信它的存在！不，是坚信！ 也许我说的有点异想天开吧，让我们回到现实中，你说的经历好象也是很多人伤心的影子，诚然，有爱的存在，可是在现在的时间中，一切的一切都是那么的真实，那么的露骨，真是不想处处提到那个“钱”字，然而，它就像是幽灵，左右着你的一切！当然包括的情感，(.)你的爱！ 每个人都有追求真爱的冲动，在起跑的瞬间一切都是那么的美好，那么的让人心醉，那么的无忧，无虑！当我们在现实的途中跑时，“幽灵”出现了，它就这样无声无息地夺去了我们的冲动，我们的热情，我们的耐力，让我们觉得美好的终点越来越模糊，那又怎样呢？我们躲不掉的！ 其实每个人的幸福，自己是可以把握的。

英文读书心得 篇6

培养孩子的英文耳朵读后感范文

这几天在新浪的读书网站上看到科技教育栏目中的几篇文章，感受颇深！今天，我看了《培养孩子的英文耳朵》这篇文章受益颇多，培养孩子的英文耳朵读后感。

作者汪培珽，美国纽约圣约翰大学MBA，在投入银行职场工作九年之后，决定成为全职妈妈。在用心陪伴一对儿女成长的过程中，看到孩子满足喜乐、热衷学习、与人为善的表现，深觉在亲子教育上“用对方法”的重要性；于是将亲身的教养经验整理研究，自创“爱孩子也爱自己的7堂课”教养理论，在幼稚园、小学、基金会、图书馆和成长团体之间积极推广，开办课程、举行演讲并接受咨询。

生活在一个非英文的中，只要持续地年英文故事书给孩子听，就能让孩子自然而然地听懂英文，并从中累积语感和阅读基础，循序渐进养成说、读、写的稳定实力。

本书介绍“念英文故事书给孩子听”的实际步骤和注意事项，并提供私房英文书单，同时针对常见的英文学习风潮和认知迷思，提出中肯建议并加以厘清说明，让父母能遵循正确的.态度与方向，陪伴孩子快乐学习、自信成长。

强调“父母的1堂课，胜过孩子的100堂才艺课”，汪培珽提供另一种务实新颖的教养态度与方向，帮助父母深切体会到孩子的喜悦与感动。而“阅读”是一切教育学习的基础；“爱”则是亲子间最珍贵的资产，汪培珽相信，“念故事书给孩子听”同时涵盖了这两样孩子最需要的东西，因此希望所有父母和教育工作者，都不要错过这个与孩子亲密互动、贴心交流的宝贵机会。

英文读书心得 篇7

《花木兰》

Why Mulan sticks out as a great Disney film.I was impressed by this Disney film for so many reasons, too many to list here, but I will go on the record as saying that Mulan has got to be one of the best Disney female characters that ever saw production, in the midst of a colorful and artistic film, that will resonate in your memory.Mulan sticks out in my mind for this reason.For once, we have a strong female lead, or at the least, stronger than most of them.She isn't counted among the Disney “princesses” line-up.She doesn't want for herself, and she seeks to look deeper within herself to discover her inner being.She isn't like Ariel, who wants to be someone else.She isn't like Jasmine, who sits in luxury, waiting to be swept off her feet by Prince Charming, just like Snow White, Cinderella, Sleeping Beauty, and almost any female character that Disney brings to life.And while she does share some traits among this list, she stands out because she does something that these do not.She uses her mind.Mulan, in fact, has more in common with male Disney leads than the female Disney leads.Mulan is a thinker, and a do-er.She's resourceful, like Aladdin.She is quick to act, like Eric(mermaid.)And she sacrifices herself for the sake of others, like Hercules.She also speaks her mind, even in a culture that does not allow such a thing.She doesn't waste time pining about “will I ever find true love?” Indeed, we see that she has an attraction to Shang(as he was her husband in the legends,)but we see her uncomfortable and unsure of meeting the Match-maker.She begs for her father's life when Chi-Fu came to the village.When you see her make her decision to take her father's place in the army, she does so out of her love for him, valuing his life above hers.She doesn't wish to become a man to see what it is like or for a change.Only to save his life.She later doubts herself and her reasons for going, but she did so because of her inner strengths, something other female Disney leads too often lack.(And it is these strengths that Shang is attracted to at the end.)This movie also has a simple, but very effective villain, Shan Yu.Though not as memorable as Jafar or Ursula, he is more effective and more menacing because he is not fantastic.By that, I mean that he is not magical, he holds no special power.He is portrayed as a man, and as a man that could have truly existed, performing vicious acts that men do.We see the destruction that his army lays to a village, and when Mulan finds the doll, it shows that Shan Yu left no one living, man, woman or child.This is what makes him so effective as a villain, showing how truly human he indeed is.Granted, the producers did not develop him in any great depth, but they showed enough of him to remind us of his threat to China.Besides, sometimes the better villains are the ones you don't know too much about, or see a lot of.Of the rest of the supporting cast, I will only mention four of them as being memorable in any real way.Chi-Fu, the emperor's consultant, was a reminder of the way many men looked at women in this culture.He thrusts his head up when Mulan begs for her father's life, and when she is discovered to be a woman, though she is a hero, he is quick to insult her, and to order her execution, simply because she impersonated a man.The other three were, of course, her comrades, Ling, Yao, and Chian Po.Though they were mainly comic relief(almost like a 3 stooges set,)they remained loyal to Mulan and trusted her fully, even after she was discovered.I like them, because they were not discriminatory to her in any way, even trying to stop her execution.When Mulan told them she had an idea to help the emperor faster, they were the first to her side, even when Shang was still reluctant to do so.Overall, a wonderful movie to the Disney list.If you haven't seen it, then do so, you won't regret it.And yes, Mushu was a cool character as well.**** In Response to an earlier post by Phoenix-1 **** To expect any movie to accurately portray history in any way is lunacy.Even those movies that come close to historical accuracy are flawed in many ways.This was a way of telling a story, as any movie is.It can be argued that it tries to provoke curiosity in another culture, but it is also meant to entertain.I would also like to point out that Mulan is really not “historical,” like Joan of Arc, but rather she is a legend, much like Hercules and Aladdin, who also come from the realm of myth, stories and legends.And while there is some difference between the original legend and this movie, your examples of how Disney would butcher tales of George Washington and Abraham Lincoln do not compare to this story in any way.Your arguments for comparison should be better applied to Pocahontas, as she was an actual historical figure.海底总动员

Somewhere, under the sea, weak-finned clown fish Nemo(Alexander Gould)lives with his fretful father, Marlin(Albert Brooks).Smothered by pop‘s paranoia, he ventures away from the reef, but his dad‘s dread is justified when a passing diver whisks him away.Taken to a tank in a Sydney dentists, Nemo meets Gill(Willem Dafoe)and co-friendly fish who dream of escaping to the ocean.Meanwhile, Marlin bumps into a blue tang named Dory(Ellen DeGeneres), and sets out to save his son...The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars.Barry Humphries has a terrific cameo as a great white shark who‘s sworn off killing(Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running.

英文读书心得 篇8

范文一

傲慢与偏见

The novel opens with the famous line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.". and ends with two marriages: Jane and Bingley's, as well as Darcy and Elizabeth's. Both couples are assumed to live happily ever after.

Elizabeth (Lizzy) Bennet is the core of the family. Elizabeth is the second of Mr. and Mrs. Bennet's five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. In addition to being her father's favourite, Elizabeth is characterized as a sensible, yet stubborn, woman. Misled by his cold outward behaviour, Elizabeth originally holds Mr. Darcy in contempt. However, she finds that Mr. Darcy improves on acquaintance, more so than she would expect.

Fitzwilliam Darcy (commonly known as Mr. Darcy) is the central male character and Elizabeth's second love interest in the novel. He is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. Initially, he considers Elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for Elizabeth. His initial proposal of marriage is rejected because of his pride and Elizabeth's prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving Elizabeth.

Role of women in the 18th century

In late-18th-century England, women were relegated to secondary roles in society with respect to property and social responsibilities. For example, women were not permitted to visit new arrivals to the neighbourhood (such as Mr. Bingley in Pride and Prejudice) until the male head of their household had first done so. Women were under enormous pressure to marry for the purpose of securing their financial futures and making valuable social connections for their families. Therefore, marriage, though romanticised, was in many ways a financial transaction and social alliance rather than a matter of love. Although Jane Austen did not condone loveless marriages (she stayed single all her life), she did approve of matches having equality in various respects, including wealth, social status, love and character. In Pride and Prejudice, wealth, social status, chastity (and the perception of chastity) and physical attractiveness are depicted as factors affecting a woman's chances for a good marriage.

范文二

远离尘嚣

Much of the plot of Far from the Madding Crowd depends on unrequited love — love by one person for another that is not mutual in that the other person does not feel love in return. The novel is driven, from the first few chapters, by Gabriel Oak's love for Bathsheba. Once he has lost his farm, he is free to wander anywhere in search of work, but he heads to Weatherbury because it is in the direction that Bathsheba has gone. This move leads to Oak's employment at Bathsheba's farm, where he patiently consoles her in her troubles and supports her in tending the farm, with no sign he will ever have his love returned.

This novel focuses on the way that catastrophe can occur at any time, threatening to change lives. The most obvious example occurs when Oak's flock of sheep is destroyed by an unlikely confluence of circumstances, including an inexperienced sheep dog, a rotted rail, and a chalk pit that happens to have been dug adjacent to his land. In one night, Oak's future as an independent farmer is destroyed, and he ends up begging just to secure the diminished position of a shepherd.

This novel offers modern readers a clear picture of how important social position was in England in the nineteenth century and of the opportunities that existed to change class, in either direction. In the beginning, Oak and Bathsheba are social equals: he is an independent farmer who rents his land, and she lives on her aunt's farm next door to his, which is presumably similar in value. The only thing that keeps her from accepting his proposal of marriage is the fact that she just does not want to be married yet. After Oak loses his farm and Bathsheba inherits her uncle's farm, there is little question of whether they can marry — their social positions are too different. She is more socially compatible with Boldwood, who owns the farm next to hers and is in a similar social position.